Movies and meaning: an introduction to film. / (Record no. 8291)
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fixed length control field | 02559nam a22002297a 4500 |
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control field | OSt |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20211214121448.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
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020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 0256182574 |
040 ## - CATALOGING SOURCE | |
Transcribing agency | LC |
050 ## - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | PN1994 .P67 |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 791.43 |
100 ## - MAIN ENTRY--PERSONAL NAME | |
Fuller form of name | Prince, Stephen |
245 ## - TITLE STATEMENT | |
Title | Movies and meaning: an introduction to film. / |
Statement of responsibility, etc. | Stephen Prince |
250 ## - EDITION STATEMENT | |
Edition statement | 4th ed. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Place of publication, distribution, etc. | Boston: |
Name of publisher, distributor, etc. | Pearson, |
Date of publication, distribution, etc. | 1996. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | xii, 500 p.: |
Other physical details | ill.; |
500 ## - GENERAL NOTE | |
General note | Includes index. |
505 ## - FORMATTED CONTENTS NOTE | |
Formatted contents note | Contents: 1. Film structure: Structure and and the camera -- Structural design and creative choice -- The camera and the human perception: cinema's dual capability -- 2. Cinematography: Collaboration and previsualization -- The essentials of cinematography -- Cinematography and the digital domain -- Visual style and design quotations -- summary -- 3. Production design: What the production designer does -- Basic tools of production design -- The design concept -- Production design and special effects -- 4. Acting: Acting in film and theater -- Categories of film performers -- Methods and technical approaches to performing -- The performer as an element of visual design -- Performance, emotion, and the viewer's response -- 5. Editing: Making the cut: What is editing? -- Linear and nonlinear systems -- Functions of editing -- The principles of continuity editing -- Alternative to continuity editing -- Summary -- 6. Principle of sound design: Sound in the contemporary film -- evolution of film sound -- Types of sound -- Sound design -- Summary -- 7. The nature of narratives in films: Story and script -- the turn to narrative in early film history -- Elements of narrative -- The classical Hollywood narrative -- The viewer's contribution to narrative -- Film genres -- Summary -- 8. Modes of screen reality: Realism -- Expressionism -- Fantasy and the fantastic -- Cinematic self-reflectivity -- 9. Hollywood international: The global dominance of Hollywood -- International influence of Hollywood style -- Summary -- 10. Cinema in multiple contexts: Animation -- Documentary -- Independent film -- International film -- Women in film -- African American film -- Summary -- 11. Film criticism and interpretation: Why criticism exists -- The task of the critic -- Modes of criticism -- Creating criticism -- Summary -- 12. Models of Film theory: Realist models -- Auteurist models -- Psychoanalytic models -- Ideological models -- Feminist models -- Cognitive models -- Summary -- |
653 ## - INDEX TERM--UNCONTROLLED | |
Uncontrolled term | Motion pictures |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Source of classification or shelving scheme | |
Koha item type | Books |
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WISCONSIN INTERNATIONAL UNIVERSITY COLLEGE, GHANA KUMASI LIBRARY | WISCONSIN INTERNATIONAL UNIVERSITY COLLEGE, GHANA KUMASI LIBRARY | General Stacks | 13/11/2019 | PN1994 .P67(4e) | K/2148/2148/19 | 13/12/2021 | 13/12/2021 | Books |